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    [Whereas my own insignificance is vast…]

    Whereas my own insignificance is vast
    in the dream of the pajama drawer ransacked
    (no redemption song, no party affiliation)
    We wonder what to stand up to and whom:
    natural resources or false pipettes?

    Warm wind ruffles receipts
    and the sawing of evening insects floats in.

    Among the unhoused meanwhile are some
    anxiously circling the problem of shape
    in squirrel caps, tattered gaiters,
    futures filled with dull smoke and
    staler mirrors

    The experiment fails. The hat falls.

    Two crows eye the dead of a different species
    as if bored by the prospect of another job
    in the animal racket.



    [Please, can you help this individual?]

    Please, can you help this individual?
    She waxes wanes lies cheats poses kneels
    as if to sew:
    How many pairs of bored-stiff jeans can in fact offset
    (she asks)
    a Biedermeir bathing suit?
    Would you prefer a head carved in stone or cheese?
    If a leaf is a form of earlier leaves
    we’ll go great lengths to flower
    is a question I never thought of asking,
    yearning up the stem.
    Movement first, then drills.
    That’s the way it was and is, then.
    Opposite oxen keep trying
    to tear these pants apart
    but we are smart:
    “If the clothesline’s real, the pins must be
    its abstractions”
    leaving just coronas
    where would be silhouettes
    or sap
    finer and more filtered
    filiating as we unfold
    in formal procession.

     

    —

    Jean Day is a poet, editor, and retired union activist whose involvement in the San Francisco Bay Area literary scene spans more than four decades. She was executive director of Small Press Distribution in its early days and subsequently worked for many years as associate editor of the interdisciplinary humanities journal Representations. The poems here are from her new book The Elements (Winter Editions, November 2026). Other recent publications include the chapbook Resistless (Ergo, 2026) and The Night Before the Day on Which (Roof Books, 2022). New poems can also be found in recent numbers of The Paris Review, The Georgia Review, Tripwire, California Quarterly, and Second Factory.

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