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    TOOTHED

    (With a phrase from CAConrad)

    I’ve hit the edge of my aging
    to find it lined with
    psychic barbed wire.
    Ten years later, and here I am
    thinking the difference
    between artifact and architecture
    is one seen through a pinhole.
    I’ve walked furniture laps
    around my apartment,
    strangering my own artifacts,
    thinking repetition will
    skeleton the poems
    and fill the body’s pockets.
    I’ve picked up my new strangers
    and thought godless, swamp thing
    and thought cue the song
    already coming up
    through the floorboards
    and thought

    strangers are proof
    the world goes on without us



    NIGHT IS AS LONG AS THE WINDOW DESIRES

    “Does one leave in one’s room a shape emptied of its body?”

    —Etel Adnan

    The character
    in absence of scenery
    I’ve dreamt this way
    to mutiny against this longing
    and I wake up to find
    the floorboards have inched
    that much further away
    I’ve lived this way
    camouflaged into the furniture
    after all this time
    I’m the apartment in disguise
    and I’ve suspected
    the character in dreams
    darkening the window with vision
    and I wake up to find
    everything whittled to sound
    the floorboards covered
    with it
    my vermin selves
    such were they
    dreamt this way
    until the scenery mutinies
    and the floorboards multiply
    in disguise
    the dream character
    a homing device
    for what’s left wanting
    I’ve dreamt the return
    of echolocation
    the walls
    disguised as shadows
    and I wake up to find
    the new sport
    denial’s become
    the floorboards radicalized
    weaponizing pity
    the apartment captains
    the ship it dreams of being
    and I wake up
    weaponizing shadows
    to mutiny against this longing
    and I wake up to find
    the floorboards whittled down
    to reveal the skin underneath

    each moment is blood kin
    to the next

     

    Emily Hunerwadel is the author of the chapbook Peach Woman, selected by DoubleCross Press for their Bound Together Series and published alongside Zoe Tuck’s The Book of Bella, as well as Professional Crybaby, selected by Kyle Dargan for the Poetry Society of America’s 2017 Chapbook Fellowship. Currently, they are on the verge of launching Purgatory Valley Press, a book resurrection collective co-founded with Zoe. Born and raised in the Deep South, Emily works as a book designer and writer in Western Massachusetts.

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