Three Poems by Sharron Hass, trans. from Hebrew by Tsipi Keller
Honestly, the tapping of feet and the clatter of silverware / will hush in me the great loss. When you leave the house / will be filled with the glory of exhaustion to mean: / Did I have the strength to withstand the severity of visions, / or is this fatigue the oblation to the... Read More
Nature vs. Fertility, God vs. Science by Philippe Sollers, trans. from French by Armine Kotin Mortimer
I have no choice but to think that I have been desired by the Dealer in Death, just as the very ugliest of the least of the believers can always tell herself, with satisfaction, that God so wished it. Death, as a result, becomes my natural and social contract, instead of being a tragedy... Read More
Metro by Tony Duvert, trans. from French by S. C. Delaney and Agnès Potier
You sit down on a bench. It’s not a seat, but rather a sign suggesting a position of rest: half crouched, thigh-bones level, back squared or hunched toward the knees, pelvis crushed between both weights—a scale’s balance beyond all use. Migraine. The head gone, migraine within its space... Read More
Three Poems by Ivonne Gordon Carrera, trans. from Spanish by Cindy Rinne
A secret lodges itself in the ellipsis. / The dream eclipses my body into yours. / The suns multiply themselves in thousands of eyelids. / Green disguises us as fluid dreams. / We suspend from the lung of the wind. / The burnt stone, our witness, blesses the sacredness / of our name... Read More
Acéphale or the Initiatory Illusion: Paule Thévenin and André Masson, trans. from French by Rainer J. Hanshe
In the mid-1930s, during a flagitious political era, Georges Bataille founded the journal Acéphale as a protest against the horrors of Nazism, all forms of fascism, and decadent democracy. In addition to serving politically as a contra-force to the populist spirit of the times, Acéphale was also to function aesthetically as a Dionysiac contagion... Read More
novae by Daniele Bellomi, trans.from Italian by Anton Ivanov
could have stayed away from the observation point, never again to say / a word about the shadowed part with no one, evaluating distances with eyes / used to a hypothetical explosion, to precede like one proceeds amongst variables / and cautions, proximity to collapse, tracing again the once combusted edge / of anything seen... Read More